Kawakami Setsui - vintage Showa Japanese painting and calligraphy on shikishi - happiness and longevity
Original Japanese calligraphic painting by Kawakami Setsui on a traditional shikishi board.
The composition is executed in red and gold coloured metallic pigment. Broad, freely controlled brush movements combine traditional auspicious themes of happiness, prosperity, and longevity. The red calligraphic form dominates the composition, while the gold element creates a second visual layer. The work is signed and bears the artist’s red seal.
The shikishi is preserved in its original paper wrapper with a handwritten identification of the work and the artist. Two period documents were kept inside.
A biographical card listing the artist’s education, awards, exhibitions, and monumental commissions.
A page from Art Salon News, issue 491 B, published on 5 November 1976.
The publication includes a photograph of Kawakami Setsui at work, reproductions of his late paintings, a biographical record, and an article discussing both his painting and ceramic practice. It also documents his participation in the tenth and final exhibition of the Yusai kai artists’ group.
Kawakami Setsui died on 3 December 1976, only 28 days after the publication of this issue. The enclosed page is therefore one of the last publications about the artist issued during his lifetime. It does not establish the exact date of the shikishi, but securely connects the work, wrapper, and accompanying documents with the final period of his career.
About the artist
Kawakami Setsui, 1901-1976, was a professional Kyoto based nihonga painter.
Born in Ehime Prefecture, he first studied under Suga Tatehiko and later under Nishiyama Suisho. He graduated from the Kyoto Municipal Special School of Painting, later incorporated into Kyoto City University of Arts.
Setsui participated in the official Teiten, Bunten, and Nitten exhibition systems. At the fifteenth Teiten exhibition, he received a special award and first place. He was also associated with the early Seikosha painting group and later exhibited with Yusai kai.
Works by Kawakami Setsui are held in Japanese museum collections, including the National Museum of Modern Art, Tokyo, the Kyoto City Museum of Art, the Niihama City Museum of Art, and the Kosanji Museum.
For the Kosanji temple complex, Setsui executed ceiling paintings for the main hall and painted sliding panels for the interior buildings. His period biographical documents also record that he performed painting or calligraphy in the presence of the Dowager Princess of the Kuni imperial house and a member of the Fushimi imperial house.
In his later years, Setsui established the Ninna kiln at his home and produced ceramics for the tea ceremony, including raku ware and works influenced by the traditions of Kenzan and Ninsei. The 1976 publication states that his ceramics achieved considerable recognition and that the heads of both Omotesenke and Urasenke provided inscriptions for the storage boxes of his works.
The composition is executed in red and gold coloured metallic pigment. Broad, freely controlled brush movements combine traditional auspicious themes of happiness, prosperity, and longevity. The red calligraphic form dominates the composition, while the gold element creates a second visual layer. The work is signed and bears the artist’s red seal.
The shikishi is preserved in its original paper wrapper with a handwritten identification of the work and the artist. Two period documents were kept inside.
A biographical card listing the artist’s education, awards, exhibitions, and monumental commissions.
A page from Art Salon News, issue 491 B, published on 5 November 1976.
The publication includes a photograph of Kawakami Setsui at work, reproductions of his late paintings, a biographical record, and an article discussing both his painting and ceramic practice. It also documents his participation in the tenth and final exhibition of the Yusai kai artists’ group.
Kawakami Setsui died on 3 December 1976, only 28 days after the publication of this issue. The enclosed page is therefore one of the last publications about the artist issued during his lifetime. It does not establish the exact date of the shikishi, but securely connects the work, wrapper, and accompanying documents with the final period of his career.
About the artist
Kawakami Setsui, 1901-1976, was a professional Kyoto based nihonga painter.
Born in Ehime Prefecture, he first studied under Suga Tatehiko and later under Nishiyama Suisho. He graduated from the Kyoto Municipal Special School of Painting, later incorporated into Kyoto City University of Arts.
Setsui participated in the official Teiten, Bunten, and Nitten exhibition systems. At the fifteenth Teiten exhibition, he received a special award and first place. He was also associated with the early Seikosha painting group and later exhibited with Yusai kai.
Works by Kawakami Setsui are held in Japanese museum collections, including the National Museum of Modern Art, Tokyo, the Kyoto City Museum of Art, the Niihama City Museum of Art, and the Kosanji Museum.
For the Kosanji temple complex, Setsui executed ceiling paintings for the main hall and painted sliding panels for the interior buildings. His period biographical documents also record that he performed painting or calligraphy in the presence of the Dowager Princess of the Kuni imperial house and a member of the Fushimi imperial house.
In his later years, Setsui established the Ninna kiln at his home and produced ceramics for the tea ceremony, including raku ware and works influenced by the traditions of Kenzan and Ninsei. The 1976 publication states that his ceramics achieved considerable recognition and that the heads of both Omotesenke and Urasenke provided inscriptions for the storage boxes of his works.